Our modern day pilgrimage to Canterbury begins early at Victoria coach station rather than joining a jolly 14th Century procession from a Southwark tavern.
Giristroula talks sorely of the memory of studying the Canterbury Tales at university and I think how dealing with the Olde English was onerous enough for me, let alone doing it in a completely different language. But we soon have our own tales to deal with anyway, as we cross the bridge over the Medway, separating the towns of Chatham and Rochester.
A group over the aisle loudly discuss last night’s exploits with one proudly announcing how his mother had been carried out, unconscious, for fighting in a bar and throwing up her Jaggerbombs all over the bouncer. Everyone gives the mother’s antics a post-bender approving cheer, banging on the headrests.
“Ledge…” one of the gargoyle-faced teenagers says, shaking his head in awe.
They then gather round and study a video on one of their phones of one of their dogs attacking another dog in a park.
“Ledge…” the gargoyle repeats to himself, quietly, as he stares with his mouth hanging open.
Medieval Britain remains.
Canterbury, once out of the obligatory depressing shopping precinct where the bus pulls up, is suitably charming and old and British and just that little bit twee and seems the perfect way to start our journey.
The timbered Huguenot houses lean genially over the still river in the centre.
There are rows and rows of chain shops. Shops humming with business selling scented candles and all those other empty, inessential items.
A girl is being taken bra shopping by her mother. A spotty kids is looking for something to buy with a book token in WH Smiths.
A homeless busker in a plastic Viking helmet plays us a tune through a traffic cone on the pedestrianised high street.
It’s a familiar British high street scene, played out in every town in the country.
It used to be said of course that there could hardly be a town in the South of England where you couldn’t throw a brick without hitting the niece of a bishop.
It’s probably said about a Polish plumber now – or maybe a Greek English teacher. All part of Britain’s great, changing tapestry.
Or maybe I’m wrong? Maybe I’ll I find a different attitude, a stronger held idea by my fellow countrymen, to what I always, faintly, believe or thought to be true in many things on this tour? Who knows?
We are told that we are not even permitted to look into the Cathedral courtyard.
“Can we just take a quick picture here?” I ask the guard.
Unsmiling, heavy booted – as courteous as a Cossack – she stands over us, arms folded, preventing any sudden movements as we take a snap and leave.
As she stood guard over us I watched behind as sneaky opportunists filed through her, now abandoned, post into the Cathedral for free.
If she knew, it didn’t seem to trouble her unduly. But we were left with only a hurried view of Canterbury’s towering glory, and so at least that part of the great British tapestry – the role of officious mean-spiritedness – was carried out to perfection.
We meet friends in a café in the centre of Canterbury’s old creaking, packed, wooden buildings, and pile into their car to drive out into Kent. We can’t think of where to go, but I suggest Whitstable as I’m sure I’ve heard people say it’s a magical place.
We drive through the Kent countryside, me pointing out oast houses and then realising I have no real idea what they are and finding myself unable to add anything further than something, perhaps, about drying hops?
With Giristroula’s suspicions about me already raised so early on the tour, I try to recover lost ground and ramble on vaguely about Kent and Gardens of England and Darling Buds and Dickens and Fighting Them On The Beaches and Battles of Britain and so on.
It takes an hour and a half to find a parking space in the town.
Whitstable, so lauded by the London metropolitan elite, feels overcrowded and, despite the pretty weatherboard houses and its firm beach sitting under a shifting sky – black breakwaters reaching out into a blue metallic sea – I struggle to really feel the elixir that draws the well-healed crowds here in such, pleased-with-themselves, numbers.
The upmarket fish and chips – served in faux newspaper – are quite good though and I sit and nosh on an artfully distressed restaurant bench by the front, next to a man eating his locally-sourced, organic, artisanal lobster and foraged chips off a thick square slate.
For other reasons Rye slightly disappoints too.
Quiet to the point of necrosis in the late afternoon, the town, while undeniably attractive isn’t the beauty-like-no-other town I had been told so often.
I look for photo opportunities, and point out small windy street and higgildy old houses with vivid flowers preened in boxes outside, and hopefully nudge the Greek. “This is England, eh?”
But wonder if maybe the true image will find on this trip is a squat white pub – even in this picturesque old town – with its falling down plasticky Sky Sports banner, and loud, red faced, men spilling lager on each others’ trainers outside.
I do however spot a fish and chip shop called ‘Catcher In Rye’. This seems perfectly British to me. Agonising over the pun in your businesses’ name.
On the tour we will see many other ‘Hair To Eternity’ hairdressers, ‘Woofs A Daisy’ pet shops, ‘You Rang A Tan?’ mobile spray tanning service. This must only happen here. I can’t imagine that I’ll find them in my new country.
“Do your shops in Greece have funny names?” I ask Giristroula. I’m not sure she understands the question.
“Your shops…” I say, trying to explain. “Tell me, what’s your local shop called?”
We had found a peace earlier. High on top of the White Cliffs at Dover.
And also, as will become a strangely recurring image throughout this British Isles trip, a family of picnicking Indians.
We had looked out towards mainland Europe – my future new home – with Kent lying behind us, and watched the swan-like ferries, stuck in the late afternoon, leaving a slow rip of white on the sea.
On this, the first of many days on the road, leading who knows where, we ambled over to the sign put up for Channel gazers like us and read:
‘Many are drawn to the White Cliffs.
It marks the end of a journey. Or the beginning.’